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| Wagners Hitler: The Prophet and His Disciple von ,
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The Wagner-Hitler Connection
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Rezension bezieht sich auf: Wagner's Hitler: The Prophet and His Disciple (Gebundene Ausgabe) Overall,I found Herr Kohler's book quite interesting. The workwas well researched and the "connection" between thesubjects certainly established. The Wagner-Hitler relation to history has been expounded upon in many works but I don't know of any complete volume other than this one, so I would call this the definative work on the subject. Kohler as a writer can be a bit emotional at times as he makes his case. I don't agree that Wagner can be "blamed" for the atrocities committed 50-60 years after his death(he died in 1883-Hitler came to power in 1933). No doubt, Wagner had a tremendous influence on Hitler, especially when he was a lonely youth in Linz and Vienna Austria in the early 1900's. It is interesting to me that Hitler's favorite opera was "Rienzi", a work of Wagner's that is rarely shown today, hardly touched upon in studies of his operas, and extremely in tradition of grand opera. Wagner composed this opera with the "guidance" or should I say the "influence" of the Jewish composer Giacommo Meyerbeer. It has even been suggested Wagner copied certain styles of Meyerbeer's when writing the music for this piece. Knowing what I know about Wagner and the contradictory nature of his personality, his witty although sometimes assinine prose writings, and certain facts concerning his life, there is more of a Wagner-Jewish connection than that with Hitler. Wagner envied the Jews and secretly deferred to them. To be sure, Wagner attacked them in the press and in his essay "Judaism in Music" but all his life he continued to associate with Jews and in his final years most of his retinue at Wahnfried consisted of Jews like the set painter Paul von Joukovsky and his "Parsifal" conductor Hermann Levi. His former favorite conductor Hans von Bulow stated that in order to be successful at Bayreuth it was necessary to be circumcised. Wagner had evidentally refused to sign an anti-semitic petition presented to him which Bulow had signed, much to his embarrassment. Many forget that Hitler had another favorite musician in the composer Anton Bruckner. He spoke mostly about the music of Rienzi or Bruckner, not about the 'ideas' of Wagner. "Parsifal" was not a favorite and was actually banned during the Third Reich. The quote from Hitler that "from 'Parsifal'I shall make my religion" comes from Hermann Rauschning's "Hitler Speaks" a dubious book of which it's authenticity has certainly been questioned. The Nazis themselves were not enthusiastic about Wagner either. They tolerated Bayreuth but for Hitler. You can "read" the Third Reich in the "Ring of the Nibelung" with it's Nordic heroism,the Aryan 'savior'Siegfried, the lust for power and final cataclysmic destruction, but for all that, Wagner shouldn't be made responsible for Hitler, any more than the Beatles can be held accountable for Charles Manson. There is also no proof that Hitler ever read any of Wagner's prose works(I don't think Hitler read a book cover to cover in his life. He read only to confirm his own outlook on the world. Most of his reading consisted of newspapers and periodical scribblings)which contain all of his ideas on art,race,and humanity that can be contradicted in his thousands of letters as well as by his life's actions upheld by the people who knew him. I believe the only writing of Wagner's Hitler read was the scores to the operas which he did seem to know pretty well, as many of his secretaries and associates confirm. The book is fascinating but the reader should bear in mind that it is only another interpretation of a very contraversial and contradictory "connection".
Eine Rezension von Ein Kunde
vom 1. April 2000 | | |
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